3/26/2023 0 Comments Photo theater pro tutorial![]() ![]() Keeping mono elements on mono tracks and stereo elements on stereo tracks is another big ‘ask’ from me but if they are naming their tracks, this can be part of the whole editorial process from the very start. Something else I advise is that if the picture editor names their tracks as they edit, their delivery to me tends to be well organized and easy for me to interpret. ![]() I arrived at the 150 frame handle target when I used to do a lot of variety shows, because five seconds is a reasonable amount of crossfade time between big laughs and incoming and outgoing applause. wav files, typically embedded inside an AAF or OMF with 150 frame handles. As you might expect, I ask for 24 bit, 48kHz. I start off most of my projects by providing the picture editor with a list of things I’m hoping to see when I receive their tracks. And, as always, this is my main intent: People learn from each other’s examples and adapt the best ideas to their own style. I know different readers are involved in differing workflows but I believe this article can be helpful for a wide range of post audio professionals. The idea is to share my workflow, so that readers can parse the info for themselves.īefore anything else is written, I want to underscore the reverence I have for the post production process. In this article I’ll outline the various steps I take to help my clients get the most from their words and actors, subjects or interviewees. I’ll also discuss my dialogue mixing philosophy my reasons behind my decisions. After spending years organizing, editing, repairing, premixing, and mixing for TV, film, internet, podcasts, corporate content, sporting events, news and current affairs items and more, I believe I have a successful formula for delivering the best possible dialogue for my clients. Introĭialogue is the fundamental audio element in storytelling, as the script, performances and technical success of the mix all hinge on the clarity and performance of the words. Do you struggle with your dialogue mix or are you a total pro? Is your end product underwhelming and hard to understand, or pristine and punchy? Not sure if you’re harming or helping your audio? Should you pan dialogue or leave it in the centre? In this article, Damian Kearns discusses his techniques for dealing with the most important aspect of any post audio mix: Words.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |